{"id":140,"date":"2009-06-27T08:53:27","date_gmt":"2009-06-27T08:53:27","guid":{"rendered":"http:\/\/www.publicmovement.org\/he\/?p=140"},"modified":"2015-04-14T18:49:52","modified_gmt":"2015-04-14T18:49:52","slug":"performing-politics-for-germany","status":"publish","type":"post","link":"http:\/\/www.publicmovement.org\/he\/old\/performing-politics-for-germany\/","title":{"rendered":"Performing Politics for Germany"},"content":{"rendered":"<p>\u05e2\u05d9\u05ea\u05d5\u05e0\u05d5\u05ea:<\/p>\n<p>&quot;The work took on new associations in the shadow of Albert Speer\u2019s monumental Olympic Stadium. Before an audience seated in temporary bleachers, the group employed a small set of sonic and visual elements to powerful dramatic effect: a dozen flags, ten uniformed men and women performing military manoeuvres, sounds of marching, sounds of revved engines and an evil-looking black car, sharking around with intent. At one point the car screams out of nowhere, smacking a male performer two metres clear. Someone opens a door, and the torso of a woman, apparently dead, tumbles out. With the rest of her body still inside the car, her arm is left trailing along the parade ground, as the fallen male performer is lifted to the top of the vehicle and it is solemnly pushed out of the staging area&#8230;While <i>Also Thus <\/i>seems to suggest some kind of new language for theatre, Public Movement state that they consider the work as a ceremony. Where exactly the dividing line lies remains open to question; in some sense the one follows where the other breaks down.&quot;<br \/>\nDaniel Miller,Frieze \u00a0published 13\/07\/2009<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/FfF9u-N2YqA\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u05e2\u05d9\u05ea\u05d5\u05e0\u05d5\u05ea: &quot;The work took on new associations in the shadow of Albert Speer\u2019s monumental Olympic Stadium. Before an audience seated in temporary bleachers, the group employed a small set of sonic and visual elements to powerful dramatic effect: a dozen flags, ten uniformed men and women performing military manoeuvres, sounds of marching, sounds of revved [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":143,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"_links":{"self":[{"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/posts\/140"}],"collection":[{"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/comments?post=140"}],"version-history":[{"count":19,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/posts\/140\/revisions"}],"predecessor-version":[{"id":1114,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/posts\/140\/revisions\/1114"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/media\/143"}],"wp:attachment":[{"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/media?parent=140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/categories?post=140"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/tags?post=140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}