{"id":215,"date":"2012-04-19T18:31:27","date_gmt":"2012-04-19T18:31:27","guid":{"rendered":"http:\/\/www.publicmovement.org\/he\/?p=215"},"modified":"2025-04-21T09:35:18","modified_gmt":"2025-04-21T09:35:18","slug":"debriefing-session","status":"publish","type":"post","link":"http:\/\/www.publicmovement.org\/he\/new\/debriefing-session\/","title":{"rendered":"\u05ea\u05d3\u05e8\u05d5\u05da"},"content":{"rendered":"<p>\u05e2\u05d9\u05ea\u05d5\u05e0\u05d5\u05ea:<\/p>\n<p>\u201c\u2026We were never alone. There was a heavy security presence, very heavy, far heavier than necessary for Tribeca Grand\u2026\u201d a system of checkpoints \u2013 metal detectors, bag searches, ID checks, attitude-that was weirdly familiar yet totally incongruous[&#8230;] It was as if this date I\u2019d made with the Tel-Aviv-based artists\u2019 group Public Movement had turned into a parody of back channel diplomacy.\u201d<\/p>\n<p>\u201c\u2026Yahalomi took out a pen and a piece of paper and began sketching out the web of political complications[&#8230;] \u2026It was a beautiful drawing, filled with innuendos and ultimatums. I remember almost none of the details except that I hoped I would manage to keep it. When Yahalomi was finished, she tucked the drawing into a folder and sent me away. \u2026\u201d<br \/>\nKaelen Wilson- Goldie, 05 Bidoun- Ungovernables review<\/p>\n<p><a href=\"http:\/\/www.publicmovement.org\/he\/wp-content\/uploads\/2012\/04\/05-Bidoun-Ungovernables-review.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">05 Bidoun &#8211; Ungovernables review<\/a><\/p>\n<p><a href=\"http:\/\/www.publicmovement.org\/he\/wp-content\/uploads\/2012\/04\/Art-Monthly-April-2014.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Art Monthly- April 2014<\/a><\/p>\n<p><a href=\"https:\/\/journal.bezalel.ac.il\/archive\/4020\">\u05d3\u05dc\u05d9\u05d4 \u05d9\u05e4\u05d4 \u05de\u05e8\u05e7\u05d5\u05d1\u05d9\u05e5', Smooth Operator, \u05e8\u05d9\u05d0\u05d9\u05d5\u05df \u05e2\u05dd \u05d3\u05e0\u05d4 \u05d9\u05d4\u05dc\u05d5\u05de\u05d9 \/ \u05ea\u05e0\u05d5\u05e2\u05d4 \u05e6\u05d9\u05d1\u05d5\u05e8\u05d9\u05ea<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u05e2\u05d9\u05ea\u05d5\u05e0\u05d5\u05ea: \u201c\u2026We were never alone. There was a heavy security presence, very heavy, far heavier than necessary for Tribeca Grand\u2026\u201d a system of checkpoints \u2013 metal detectors, bag searches, ID checks, attitude-that was weirdly familiar yet totally incongruous[&#8230;] It was as if this date I\u2019d made with the Tel-Aviv-based artists\u2019 group Public Movement had turned [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":425,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/posts\/215"}],"collection":[{"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/comments?post=215"}],"version-history":[{"count":24,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/posts\/215\/revisions"}],"predecessor-version":[{"id":1827,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/posts\/215\/revisions\/1827"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/media\/425"}],"wp:attachment":[{"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/media?parent=215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/categories?post=215"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.publicmovement.org\/he\/wp-json\/wp\/v2\/tags?post=215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}